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H 245 x W 174 mm

286 pages

159 figures (colour throughout)

Published Sep 2025

Archaeopress

ISBN

Paperback: 9781805830146

Digital: 9781805830153

DOI 10.32028/9781805830146

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Keywords
music; stone; lithophones; sound sculpture; Peter Crosthwaite; Keswick; Mount Skiddaw; Barbara Hepworth; Pinuccio Sciola; experimental music; geology; musical instruments; rock bands; Vietnam; Queen Victoria; sound art

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Music Stones: The Rediscovery of Ringing Rock

By Mike Adcock

Foreword by Evelyn Glennie

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Stone instruments, known as lithophones, are believed to date back to prehistoric times. This book explores their more recent musical uses—from 18th-century sets in England to Vietnam’s ancient slabs, sound sculptures, and experimental compositions—revealing the enduring resonance of stone in music and art.

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Contents

Foreword by Dame Evelyn Glennie


Chapter One: Peter Crosthwaite


Chapter Two: The New Contenders – Limestone, lithophones and a rock harmonicon


Chapter Three: A stonemason, a boatman and a fiddler – Two cousins, William Irwin and the sound of slate William Bowe


Chapter Four: Richardson’s Original Rock Band – London and beyond


Chapter Five: Playing by Royal Command – Richardson’s Rock, Bell and Steel Band at Buckingham Palace


Chapter Six: The Till Family Rock Band - Following in the footsteps


Chapter Seven: The Tills in the USA – The rise of the rockophone


Chapter Eight: Honoré Baudre – Antediluvian music and a geological piano


Chapter Nine: The Abrahams – Limelight in the Lakes


Chapter Ten: A Yorkshire Dalesman and a Menorcan Don – Neddy Dick and Don Antonio Roca y Várez


Chapter Eleven: Circuses, music halls and musical pavements – Arthur Nelson, the Pavanellas and the Bozza Troupe


Chapter Twelve: The Twentieth Century – A chronological miscellany of musical stone


Chapter Thirteen: Vietnam – The rediscovery of lithophones in South East Asia


Chapter Fourteen: Experimental Music Stones – Investigations in geological indeterminacy


Chapter Fifteen: The gift of sound and vision – Sculptural music and musical sculpture


Chapter Sixteen: The new stone age – Statements from contemporary practitioners


Bibliography


Index 

About the Author

Mike Adcock, having obtained a degree in art history, spent ten years as an art college lecturer before deciding to pursue a career in music: playing, composing, teaching and writing on the subject. He has released many recordings, both solo and in collaboration with other musicians, particularly in the field of free improvisation. Mike has had articles and papers published on different aspects of music and music education, including ‘The Ancient Stone Instruments of Vietnam’ (Time & Mind 2017) and currently writes reviews for the online magazine Roots World. He sometimes makes his own instruments, using broken roof slates.