
H 245 x W 174 mm
286 pages
159 figures (colour throughout)
Published Sep 2025
ISBN
Paperback: 9781805830146
Digital: 9781805830153
Keywords
music; stone; lithophones; sound sculpture; Peter Crosthwaite; Keswick; Mount Skiddaw; Barbara Hepworth; Pinuccio Sciola; experimental music; geology; musical instruments; rock bands; Vietnam; Queen Victoria; sound art
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By Mike Adcock
Foreword by Evelyn Glennie
Paperback
£29.99
Includes PDF
PDF eBook
(personal use)
£16.00
PDF eBook
(institutional use)
£29.99
Stone instruments, known as lithophones, are believed to date back to prehistoric times. This book explores their more recent musical uses—from 18th-century sets in England to Vietnam’s ancient slabs, sound sculptures, and experimental compositions—revealing the enduring resonance of stone in music and art.
Foreword by Dame Evelyn Glennie
Chapter One: Peter Crosthwaite
Chapter Two: The New Contenders – Limestone, lithophones and a rock harmonicon
Chapter Three: A stonemason, a boatman and a fiddler – Two cousins, William Irwin and the sound of slate William Bowe
Chapter Four: Richardson’s Original Rock Band – London and beyond
Chapter Five: Playing by Royal Command – Richardson’s Rock, Bell and Steel Band at Buckingham Palace
Chapter Six: The Till Family Rock Band - Following in the footsteps
Chapter Seven: The Tills in the USA – The rise of the rockophone
Chapter Eight: Honoré Baudre – Antediluvian music and a geological piano
Chapter Nine: The Abrahams – Limelight in the Lakes
Chapter Ten: A Yorkshire Dalesman and a Menorcan Don – Neddy Dick and Don Antonio Roca y Várez
Chapter Eleven: Circuses, music halls and musical pavements – Arthur Nelson, the Pavanellas and the Bozza Troupe
Chapter Twelve: The Twentieth Century – A chronological miscellany of musical stone
Chapter Thirteen: Vietnam – The rediscovery of lithophones in South East Asia
Chapter Fourteen: Experimental Music Stones – Investigations in geological indeterminacy
Chapter Fifteen: The gift of sound and vision – Sculptural music and musical sculpture
Chapter Sixteen: The new stone age – Statements from contemporary practitioners
Bibliography
Index
Mike Adcock, having obtained a degree in art history, spent ten years as an art college lecturer before deciding to pursue a career in music: playing, composing, teaching and writing on the subject. He has released many recordings, both solo and in collaboration with other musicians, particularly in the field of free improvisation. Mike has had articles and papers published on different aspects of music and music education, including ‘The Ancient Stone Instruments of Vietnam’ (Time & Mind 2017) and currently writes reviews for the online magazine Roots World. He sometimes makes his own instruments, using broken roof slates.